Champagne Dreams
48" X 66"
oil on canvas
Kim Cogan | AFTERLIGHT
May - June, 2026
Opening reception Saturday May 16th, 3 - 5pm
Maybaum Gallery
48 Stockton Street (formerly Barney’s Building)
San Francisco, CA 94108
Hours: Tuesday - Saturday 10:30 am - 5:30 pm
To inquire or schedule a private viewing, please contact:
Phone: 415.658.7669
Email: art@maybaumgallery.com
Afterlight
New Works by Kim Cogan
Maybaum Gallery, San Francisco
May 2026
For over two decades, Kim Cogan has chronicled the shifting landscape of urban life, attuned to what might otherwise be easily overlooked: empty storefronts, dim alleyways, and anonymous city blocks. His work exists in the space between observation and memory, where the familiar becomes charged with emotion and time feels suspended. Cogan’s familiar and inviting depictions suggest these places have new stories to tell. In Afterlight, his premier solo exhibition with Maybaum Gallery, Cogan presents a new body of oil paintings shaped by San Francisco’s ongoing social and economic shifts. He focuses on spaces that appear static yet holds in-depth layers of history. These scenes, though devoid of figures, are alive with presence. While the contemporary art market seeks brash and immediate, Cogan’s contemplative work is necessary.
Cogan’s paintings evoke a city both lived and longed for. Works such as Siren Call reimagine the once Cliff House, while Whisper Down the Wind pays homage to the closing of the music venue, Bottom of the Hill. Through these elegiac gestures, Cogan preserves sites on the brink of disappearance, allowing them to resonate anew. Light functions as a central force in his work—glowing windows, humming streetlights, and hazy skies suggest life within absence. From afar, the compositions are precise; up close, they dissolve into loose, intuitive brushwork, revealing the immediacy of his hand. Meaning emerges through layers, as color and form shift and settle into focus.
Balancing nostalgia with urgency, Cogan moves between specific locations shaped by memory. In a city defined by constant reinvention, Cogan’s work offers a counterpoint to a city in flux: a sustained act of observing, slowing down, and uncovering the contemplative resonance embedded in place. Cogan’s paintings, through a narrative of vanishing landscape, reflect on how cities evolve and what endures in the spaces left behind.
